Again, Again

Music will likely be one of the things that Gabriel and I will always bond over. I know I ought to chase that comic voice bubble out of the frame as I suspect there is a every likelihood the two of us will butt heads in the years ahead as our tastes diverge or his indifference to his guitar gains a critical mass, but when adolescence passes we should be able to pick up the conversation again from when or wherever we leave off. Unlike the Kinsellas in Field of Dreams, we will be more likely to sit down near the stereo or with our guitars than pick up baseball gloves.

Tonight was one of those nights where a song and a musician provided a span of the bridge that will take us through that still-distant stretch of adolescence to whatever conversation there will be when we sit down to share music on the other side.

After nearly a year of listening to an emerging pop-folk master named Paul Johnson, who commercially plies is craftsmanship under the guise of Canyon City, Gabriel was asking to hear, "The one that starts, 'I woke before the sun rose...'" during his bath and asked for it again as I turned him in for the night.  As we went on to listen to said song, titled "Needles and Pins," eleven to twelve times in a row until his breathing finally eased into the rhythm that portended sleep we talked and talked - the lad not merely stalling sleep, but asking questions that would not come from anywhere else.

"What is grace?" and, in response to my attempt to capture it for a 5-year-old, "What is a virtue?"

We lay in the dark exchanging favorite passages of the song. He, the chorus, with its fairy tale mention of plastic crowns and the certainty about where home is; me the more adult world evocations about "wear(ing) a tie to go to work and tell(ing)... lies like everything's okay" and "los(ing) some keys in the dust." With each repetition of the song in the dark, Gabriel's questions continued about the song, the individual words that emerged and caught his ear more easily with each listening and I'm sure there were unasked questions planted there to bloom later about music, craft, poetry and love that he will ask when he has the words in the weeks and years ahead.

I have every confidence that Mr. Johnson/Canyon City will have a wonderful career ahead of him as songs such as "Needles and Pins" continue to find their path to ears and hearts in the days ahead.  If it has not happened already, he will nightly have audience members who will tell him that he wrote their song, whether it is the one they make love to, danced for the first time as husband and wife or any other milestone in life of someone following their romantic path to one-and-onlys that he describes so aptly in song and song again.  In about ten years or so, there will also be a 60-year-old man with his 15-year-old son -- the lad possibly doing a great job of portraying adolescent indifference to anything the old man springs on him or indulging in some patience with me for the night -- and, with a wink, I'll simply say that I used his first album to lull that lad asleep not so long ago.

Thanks Paul.

Childhood and The Zone

Two weeks ago, my son had his first serious opportunity to play the guitar.  After years of standing in front of me and beating on my strings, he has had his turn to embrace an instrument of his own and find his way through the deep roads of the fretboard, the strings, bridge and pick.  There is much ahead in his journey to even determine if he wants to play the guitar but for now he has one of his own to lean over or hug as it rests on his right thigh.

Chords remain a work in progress.  The fingers and the spatial arrangement have not visited each other frequently enough for him to feel adept at putting together a chord and his hands still have a bit of growing to do before we get into a discussion of bar chords or the challenge of reaching the furthest strings.  For the time being he has beaten on his guitar along with everyone else, a contribution of vibe or passion to the more structured strumming and chord progressions the rest of us follow.  While we were proceeding through Pink Floyd's "Wish You Were Here" his head was tilted back, his eyes were closed and his pick-hand was well over his head - a tribute to Pete Townshend before he even discovered the man's technique of idiosyncrasies.  He seemed to be in complete rapture and lost in the moment.  As I beamed at him, his eyes opened and he dissolved into a state of self-consciousness.

"What?", he asked, his rapture dissolved and chased by a newly discovered timidity.

I assured him that all was well and did my best to assure him that -- as far as I was concerned -- that moment of lost bliss was just what the guitar was about.  Since that moment, however, I have wondered about what it would take to introduce him to the concept of the zone or peak performance. I recall my own efforts to get into the zone when I was learning to ride the bicycle. My first was a gleaming green with a long banana seat and high handlebars like you'd associate with a chopper. There were no training wheels in the effort.  This was strictly old school and the effort to find my balance was a lengthy one.  History would probably say that the learning was briefer than I recall but I rode up and down a stretch of yard that ran next to the house, wobbling along until I completely fell over until, bang, I had it.  For some reason I fell upon the word "Cordoba" (after the Chrysler) and ran that word through my head repeatedly until gravity pulled me off the bike and dislodged my mantra.  I would resume again and again, the word stuck in my head until I was balanced and able to bring myself to a controlled stop rather than a fall.  I do not recall if I did a full lap of the yard or if I just felt that I, after going all of 10 metres without falling over, just assumed I had the bike thing all sorted out.  It was, however, a stretch where I was in the zone as I tried to master the bike.

The guitar was much later for me and while self-taught, there was a bit more self-critique and a lot more inner dialogue than I would have had if I started as early as my son.  At this point, he is not too concerned about precision or proficiency - he just wants to bang on the guitar and enjoy the social aspects of sitting amongst "the men" to indulge in the time they share.

I want to find a way to make him familiar with that peak experience.  Regular experience of it will provide him with the compass to his passions and his purpose.  It will also clarify his definition of himself and the things he does well or may be meant to do.  It does not have to come from playing the guitar or music.  I just want him to be familiar with it and have the conversation with him about what it is, how he got there and what it might mean.  I suspect that it will wait, but in the meantime, I'll file moments like this one to tell him about these experiences and ask him to reflect on how he felt during those moments.

First Lullabye

We are at a moment where my son seems formed and less likely to present a revelation to us.  He will grow, but there is the feeling that for the next little while, there is little likelihood for surprise. According to what I have read about growth in children and the formation of their personalities, he is pretty much wired, as it were. At the age of 5, he is obsessed with Star Wars, Lego and Paw Patrol. His knack for completing complex Lego sets is prodigious.  Consequently, I have consigned my quiver of ironic jokes about pressuring him to go into Art school, because it now seems unlikely on the part of the budding engineer.  As he assembles Lego or completes puzzles, he shows a spatial ability that makes the completion of a 1300-piece set uneventful for him and an affinity or affection for those challenges that surpasses any tolerance for wrestling with a creative block.

He is big for his age. He loves to run with me and no walk is complete without him challenging me to a race over some distance.  As was the case as a newborn, he fights sleep even seconds after acknowledging he is tired or burrowed into us for the assurance that he will not be alone for his transit into the night. Books are both obsession and refuge and might still be ahead in the neck and neck race with the iPad for his attention. He is a poor sleeper and the nights are still punctuated by his dark AM requests to sleep with us. He continues to demonstrate a knack for music and has filed away a few favorite hooks and choruses that he will sing or dance to when the mood strikes.

He is still the same extroverted, affectionate kid he was when he was a budding candy striper visiting his grandfather in the hospital in early 2012. He left Tim Horton's yesterday only after giving a hug to an older gentleman who complimented him on his new interest in practicing his letters. Once again, mom and dad struggle with the dilemmas that come with having a child who is so open and trusting with strangers (most of the time.) In that is an example of the questions that lie ahead: will his affection and openness make him vulnerable to the overrated threats all parents dread or will they evolve into something that is supportive and nurturing to those around him.  Time and the forks in his road ahead will determine that but it is clear that he is on a path that will shape his affections rather than the more emotionally cautious route that I have followed.

But, last night, as my weary extrovert was giving into fatigue and the early stages of a stomach bug that ails him today, which I believe was his first "sick day" (albeit from daycare) I surprised myself. After a long reading session on the sofa, the floppy, fatigued, yet still sleep-resistant lad sprawled on the sofa rather than dragging himself to his room, which prompted me to utter, with the faintest hint of melody, "Little boy, little boy won't you lay your body down," the first of many lines from Paul Simon's "St. Judy's Comet" that summed up the moment.

I've found it a challenge to sing my son to sleep, never quite finding the precise melodic whisper something I could get the right volume and pitch on, words trapped and muffled in the throat rather than given their appropriate whisper.  I've usually delivered a burr or a hum of some sort that was only a half-hearted approximation.  Last night though I did the song justice and sang it out - except for the "make your famous daddy look so dumb" which is Mr. Simon's own private confession about his struggle with lullabyes.

The likelihood is that he will surprise my wife and I in some way and that there will be some discovery of character or timing that will catch me off guard as we go through the journey together. There will be times as well though when, I excavate some part of myself and surprise him and perhaps myself too as I retrace parts of myself that are dormant or buried under the detritus of (dubiously) adult preoccupations.  He'll have a revelation that I was a kid once or that there are sections of my path that can be retraced and shared with him as I tentatively unveil some forgotten or hidden aspects of myself.

Saturday Lessons

The morning was not quite what I hoped. It did not turn into a sitcom domino of disasters, spills and snowballing delays.  There was a stagnancy and lack of enthusiasm or direction. After not getting to bed until an hour and a half past his bedtime the previous night -- the lad too tired to even know how to cooperate through the wind down routine and calling his mother (and not ME) a "bully" at one heated point -- there is a familiar, odd perversion of the biological clock that ensures he gets up early whenever he goes to bed late.  He was not particularly difficult, but that lingering sluggishness buried any momentum toward preparing for the day and getting ready for music class as quickly as possible.

I had been telling myself the night before that he was likely to wake early and that while it could be a long day with occasional crankiness, it was best to find some way to just 'roll with it' -- not exactly my strong suit. Nadine has work today and her own routine gets her out the door before we really need to get going. Gabe and I have an extra 10-15 minutes before we have to head to the LRT and we are booted, toqued and gloved with the promise that he has the pep to run up the hill. As we approached the station, our train pulled up at the platform and Gabriel started talking about the need to run to the train.

 "You never run at the train," calmly telling something that I have had to say a few times to him.

 "We can run, we can get it."

I have always padded our music class routines with the possibility of a missed train and was able to hold my ground and hope that he can pick up on my calm lack of urgency and get the lesson that he should not run to catch an approaching train. We chorused our exchange of "never" and "we can make it" a few times until the train pulled away. We had 12 minutes until the next train; enough time to return an overdue (roll with it, roll with it) Toopy and Binoo DVD to the library. That done, we returned to the platform to wait for the next train. 

There was a mother and son waiting as well; the son slowly working through the last dregs of a can of jalapeño Pringles. Gabriel asked me while eyeing the chips if we had snacks and the mother, with a chronic rasp the belied a more hardscrabble life, told him, "Of course! Everyone has snacks!"  In my case, snacks amounted to a chia-blackberry squeeze pack, some apple-cinnamon rice crackers and a Larabar, all of which I intended to dole it with a bit more discretion. I'm not sure if they satisfied his Pringle-whetted appetite.

The ride on the train is always a wonder for him. He kneels on his seat and looks out the window, over my shoulder at the sights that strobe by, percussive blurs of lampposts passing across the lenses of his glasses as he waits to see downtown.  I let him know that the Peace Bridge is coming into view and he shifts to look east as we cross the Bow River into downtown.

We get off and make our way to the bus stop for the next leg of the journey.  He enjoys taking the footsteps route across the Enmax grates in the sidewalk but he finds the individual trucks and and buses too noisy.  Perhaps it is a matter of those noises standing out that much more without the cumulative din of weekday traffic as a base line.  We put the package for the chia-blackberry snack-beverage-gel thing in the garbage and come to our stop.

While at the stop, he finds a discarded (3/4 full!!) beverage cup from Subway and starts emptying it out through the straw, trailing a brown version of urination Braille across the snow, while I ask him to stop before he soaks and stickifies himself if the lid finally gives way under the weight and pressure of his shaking and art making.

In the middle of this, I tell him that Anakin Skywalker grows up to be Darth Vader. He hasn't seen any of the movies yet, but he is getting a steady diet of whatever Star Wars books he can get and he tells me he likes Anakin because of his heroism in the primer reader equivalent of Episode II. My disdain for Jake Lloyd, Hayden Christensen and the prequel trilogy prompt me to give my warning about who Anakin really is, but in the end he is a big Darth fan anyway. He stares at me slack-jawed for a moment and I wonder if I have permanently cast myself or him as the spoiler of all stories.  He is undaunted by the revelation and I smirk at his command of the Star Wars canon, recalling my own ability to devote so much mental real estate to hockey trivia when I was in elementary school.

I also taught him the phrase "catch air" during a particularly bumpy ride on the bus. He is puzzled by this and points out that his mouth was closed and I give the example of a kite catching air and y to make the distinction between catching air and catching your breath.  With each bump that follows, he points out that he has indeed caught air again.

With those two lessons passed from father to son, we arrive at music class and I file my train-rushing lesson for later and later again.

After music, the day continues with a bus ride to pizza for lunch. The Saturday pizza tradition goes back to Gabe's bucket phase and it has been nice to see him grow into the routine and manage to eat half of his pizza. Lately, when we take the bus, he insists on taking position in the very back of the bus.  The back row was a factor contributing to how much air we caught on the shuttle bus and with the 73, there is often a character of some sort who Gabriel has no timidity about.  Today, it is a man with an air cast on his foot and a surreptitious can of beer that he keeps hidden in his nicotine stained hands rather than sipping from openly, his deference to authority heightened in front of the 4-year-old.  He talks about how he broke his leg at work and how has myriad rods and screw in his leg and is going to be laid up for about 14 weeks. I wonder how much mature content Gabriel actually absorbs here in the backseat and I look ahead to rides he will have by himself. I'll be better served by deft interrogation than backseat prohibition when those days come. Perhaps I'll have to trade him today's character for whoever he ended up sitting with.

Lunch is uneventful as he zones out in front of a Paw Patrol marathon on the iPad while my lunch time cronies sort through the bishop's gaffe on LGTBQ rights a week earlier. Gabriel only raises his eyes from the inane puppies to greet one of the staff in the restaurant, who has seen him regularly since he was in the bucket phase.  They have an indelible connection and when he sees her, he rises from his spot on the bench, strides over me and gives her a huge hug, feet off the bench and pressing as much warmth into her as he can.

On the LRT home, he finally catches up on the sleep he passed up on at 6:20 this morning and when I turn to tell him we are at our station he is out, face planted firmly into the back of the seat. Now in the hang of rolling with it, I read until we go all the way to the end of the line in Tuscany and commence the return trip back to the southeast. I watch him sleep calmly and with a stillness that makes me tune my senses for the confirmation of each light breath, something I have not done since he was just a few months old.

After about 45 minutes, he bolts out of his repose and looks around, all bewildered and bedheaded. We get off to make to catch the train home and the lad still finds himself out of sorts.  We wait for the train to takes us back to the northwest and he needs to be held and comforted, such is his state. He is still tired and uncertain of where he is and how he ended up in this unfamiliar place under these circumstances. The nascent independence he asserts all too often and in such unexpected ways is gone and for this moment he his younger and vulnerable. I manage to roll with it and as he burrows into me, I let him know that he is getting heavy. It is a warning as much for me as him that those cuddling totes across long distances are getting harder and we are perhaps down to the last few.

And I tell myself once again, to roll with it.  Somehow.

Memories As The Lad Turns 4

There are moments of my son's life thus far that well up from out of nowhere to grace me with memories that I never imagined I would have.  In and of themselves, they are too brief to fill post of their own, but perhaps together they add up to more than passing anecdote. At this point, as he turns four, they are among the things that I will tell him about himself to give him some sense of his character, his talents and narrative. The question is how much the stories will amount to as time goes on and he forms memories through experiences I will not witness or document.

The first fond moment is from when he was barely 10 weeks old and the milestones were supposedly a bit further down the road... steps, words, sentences, commando crawl... but on the evening of January 21, 2012 - a number numerologists would probably drool over - his first gurgle of the laughter. I have heard it since in so many forms, including forced, vaguely maniacal and downright heart-melting.  On that night, it was a simple, pure peal of joy that moistened the eyes.  And so I started compiling the highlights of his life to report back to him to bridge these early years when his memories slip away rather than form and I wait to pass them on at a time when he is more autonomous and he compiles memories and evolves with less and less of my storage and memory.

There are some things that could remain evident without much intervention and I hang onto them as points of pride. Whether I tell him or not may have little bearing, especially if it is an innate thing that he is hard-wired for.

For instance, his first indication of a precocious connection with music is a eureka I pass on as sign of talent that has been handed down or skipped a generation.  After a few attempts of subversively slipping some jazz into his musical diet thanks to a video that featured a train, he called out "train" upon hearing a completely different acoustic arrangement of the same song while we were in the car.  That may be one of those unique things that I will not have to tell him about but can trust.

There are other moments that I simply hang on to as a joy of fatherhood. This summer, while I was coming home from work, I checked my phone to fire up the audiobook I was listening to. Before I got to it, I noticed that there was a text with an image from my wife and was puzzled by the solid black form that appeared with the image she sent. I opened it and was treated to a drowsy rendition of "Twinkle, Twinkle Little Star" without any performance anxiety and his voice catching earnestly throughout as a profound reminder of the innocence and the delicateness that define even this robust boy at age 3.  I immediately replayed it again and again on my way home.  When the time comes I'll play it back for him and his embarrassment at the poignancy may mellow with the passing of time and the realization of how early he was generous in this way.

There are those embarrassing moments that we will remind him of, such as his first encounter with wasabi, which we warned him about to no avail.  He threw a sizeable dollop into his mouth and suffered no end of pain.

However many memories I accumulate of him, there will still be gaps as he leads his own life and he accumulates stories to share with friends as he grows older, forms his personality and creates his narrative going forward. There has been an independent streak from a very early age. When I first dropped him off at daycare three years ago, I hung around for about 15 minutes to ensure that he knew that I was leaving him behind and sure that he was aware enough to not panic and wail when he finally realized I was gone. The last thing I wanted to do was make him reliant on strangers during such a moment of anxiety, no matter how professional and experienced they are in addressing those moments in life (and they are.) Instead, he sat indifferent to my farewell waves and I only gave up and got on with my day when he toddled over to a new schoolmate and started playing with her. They still play (and play well) together most of the time at daycare and she is among the guests attending his fourth birthday party in a few days time.  As soon as he started playing, I got the feeling that it was safe for me to go.

From that moment, I have never had much trouble acknowledging, though not necessarily accepting, that I am not going to be there for every moment of his life as he grows up. I still beam at the second-hand account of one occasion at daycare when he relieved one of the staff from the challenge of consoling one of his classmates.  A girl was sobbing into the arms of one of the staff at the daycare when Gabriel approached and extended his arms for a hug. The daycare worker regarded it as an "I need one too" gesture at a moment when her attention simply wasn't available to him. He was brushed off for a few moments, but stood his ground until the staff interpreted the gesture as "Let me help," instead of "my turn." The daycare worker let go of the crying child and Gabriel gave the girl a hug and calmed this classmate.  After the hug, she gambolled off, her troubles eased and forgotten. He then extended his arms to give the day care worker a hug. He wasn't even two years old. That account of his compassion is another reminder of the innocence and sensitivity that children possess.

There are other secondhand accounts and other bits of data that will find their way to me as time goes on and less and less that I will compile on my own for him. Accounts will differ and conflict or I will give a more detached version of events than he will at times. I have no idea when the secondhand stories about him will come to me or what they will amount to, but they will each be a part of a life that he will control in a way that will enchant me, make me weep, beam, burst out laughing, or recall with embarrassment how much he is like his father. But I will never quite control it. The best I can do is bear witness to as much of it as possible and occasionally fill in the gaps for him when the story or the self at stake are unfamiliar to him.

The Making of a Dad Band

One of my outlets on a regular basis has been to get together with a few friends to play guitar.  We actually started playing together 11 1/2 years ago, a mark that certainly gives me pause about how quickly time has passed since we first started gathering in the basement apartment I was in at the time. We had religiously stuck with the routine every week on Thursday nights. over the course of that time, doctorates were completed, musical trends came and went and I slowly discovered 1990's alternative rock, which I had essentially missed due to my travels or only discovered via the back door route of covers played by jazz pianist Brad Mehldau.

Those evenings were simple affairs.  We'd unpack, play our first three songs and order pizza that we could normally count on having in another 30 minutes or so. There were musical discoveries, challenges that would turn into benchmarks of progress as we found a way to master them, rules about forbidden groups or songs. I still, after all this time, refuse to waive my Eagles veto.

We have seen our circle expand and contract over that course of time and we are at a solid core of three despite our open door to additional dad-players, especially those with drums or a bass. Obligations expanded as one of our trio became a Dad. He furtively missed a Thursday while he was getting acquainted with his daughter. A few months later twin daughters arrived for the most talented of our trio.

The weekly ritual disappeared with those demands but we are working our way back into a routine of at least a month. Those night continue to be blessed with as much conversation as ever, but the talk turns to the kids where it once turned to music trivia and whether or not our mention of certain musicians at certain times coincided with their deaths.  I assure you we have never played Boney M and probably only mentioned them in reference to their contribution to the Christmas muzak we had grown familiar with.

The nights are less frequent and the pizzas even less so. Guitar is now on Fridays instead of Thursdays and there is a dram of scotch rather than a 2 litre bottle of soda water, which we named "flavourless" in mild self-deprecation of the pop we played as well. Over the years the conversation has continued to be good as we have marvelled at the achievements of those we have played, occasionally cursed the slow wheels on the studio recorders the Beatles used, made copious references to The Big Lebowski, Spinal Tap and Christopher Walken's seminal appearance on SNL.

Those things are balm and magnet that keeps us together as regularly as we come together every couple of weeks. We muse occasionally about performing for an audience and conclude that it will most likely be at a birthday party. If that is the case, we will have to hurry up and do it while we are still cool to the kids. It amy be nothing more than a distant goal and one that would require a bit more work that our intermittent meetings might allow. There may be an unplumbed symbiosis that we would unwittingly draw upon, or a sense that the stakes playing without a net would be minimal or minor compared with other things that we have grappled with over the last decade and change.

The one thing we all share is a desire to pass the baton on to the kids, especially if any of them take up an interest in bass or percussion and share our fondness for Crowded House, Talking Heads or R.E.M.  All of the kids are exposed to music in various ways and taking lessons and their progress probably give us more pride than any progress we make with more esoteric chord progressions that were beyond us when we all began.